Seeing things in a new way. Suddenly we are all librarians

Photo source thanks to John

Much has been said about Pinterest. Has it? I’m sure it has. Like other forms of social media, you can always find a broad range in terms of quality. It’s so easy to use and it looks great.  In case you haven’t checked it out, Pinterest allows you to easily ‘pin’ pictures (and videos) to a board. Unlike Scoop.it, you can collect any number of boards which can be named and renamed, and which look great at a glance. So easy to find stuff. Of course, I have too many boards but, hey – many people have even more. But wait! there’s more. As with any form of social media, the best part is finding people and following them, repinning what they’ve collected, and finding more awesome people and resources by looking through whom they follow. But a word of warning – it’s addictive. I mean seriously addictive, particularly if you have a weakness for the visual as I do. Do not, do not, start browsing late at night because you might not get much sleep.

Social media platforms like Scoop.it and Pinterest have given a new look to the curation of resources. Visual layouts are engaging and easy to scan for what you need. The key word is sharing – love it! As a teacher librarian, I’m a finder of sorts, and so these networks are invaluable for me. And enjoyable. My job is to fossick and mine for the jewels amongst an overabundance of mediocre or irrelevant resources, and Pinterest makes it easy to do that.

No longer can librarians boast about their classification skills. So many people are willingly spending enormous amounts of time finding, selecting and classifying images and videos into Pinterest boards for the picking.

Recently I’ve been focusing on images to support the teaching and learning of the Visual Arts, and more specifically, VCE Visual Communication Design. I’ve spent an obscene amount of time doing this so, as a form of justification, I’d like to share these with you. Eventually my goal is to nicely embed these into a Libguide or two but in the meantime I’ll share the links. I’ve chosen people who are experts in the Visual Arts. Some of these are teachers but most work within the field.  My selections are only some of what these people have shared.

Toshio Miyake (graphic designer)
Kent Loven

Marc Sublet (graphic designer)

U Soma (design, branding, communication)

Marcus Hay (Director of Creativity, Styling and Interiors)

Steven Vandenplas (graphic designer)

Dubbu (design, film, collage)

Seeke (illustration, typography, art)

silja p (designer)

Hege Vestbo Saetre (design)

Chris Dangtran (design, typography, photography, products)

Ben Serbutt (designer, art director, illustrator, typography)

Ya-Ting Maggie Kuo (design, infographics, typography)

Johnson Yung (mixed media, abstract, photography, animation)

Joao Henriques (typography, design, packaging, infographics)

(collage, photography, design)

Masayuki Nakazawa (director of photography, Tokyo)

Maja Moden (Swedish illustrator)

Folkert Hengeveld (Creative Director at Amsterdam based design firm Formlab)

DOMO-A (graphic design, typography)

Rhian Edwards (graphic design)

Jorge Heilbron (design)

Kazuya Arakawa (graphic design, typography)

Ale casinelli (graphic design)

Zachi Diner (designer)

Frederic Chollet (photography)

Silja p (designer)

Emma Fexeus (designer)

Design Boom – home of design, architecture and art culture

Sayuri Maeda (graphic design)

Galen Lowe (graphic design, architecture, photography)

Robert Melotte (Urban Photographer. Architecture and photography, abstraction of graphic architecture. Melbourne-based)

Maria Rufus (graphic design)

Fernando Baeza Ponsoda (architecture)

Archibald Woo (architect)

Griffen Lim (graphics, architecture, interiors) Melbourne-based

Fosco Lucarelli (architecture, design)

MoMA Design Store

Ryutaro Kishi (graphic design, product design, fashion, photography, typography)

Architizer (everything architecture and design)

Arslog (Contemporary Art, Science, Technology)

Emanuela Marcu (a bit of everything)

Astrid Trobro (art director and web designer)

Paul Waltz (architect, sustainable initiatives)

Ginny Christensen (Director of Digital Arts, California)

Sylvie Wibaut (illustration, photography, graphics, furniture)

Janna Gougeon  (Line, pattern, symmetry)

Doris Cook (photography, mixed media, illustration, diagrams, graphic design, street art and more)

Lelle Laflamme

David Schultz (creative director)

Natalie Lowry (graphic design student)

Art teachers on Pinterest –

Donald Peters

Patricia Schappler (drawing in different media, printmaking and so many more)

Youtube on the Arts (Pinterest board)

Some of the design styles I’ve been looking for (so many people have these categories)

Art Deco
More Art Deco

Art Nouveau

Digital art

Typography by Japanese art director and graphic designer “c ktnon”

There are so many more resources on Pinterest to inspire, and to support teaching and learning in different areas. Here are my Diigo bookmarks for a start, but go ahead and search for your own area of interest.

Concerned about copyright and Pinterest’s terms of service? Here is an article I posted earlier. Who is still unhappy with Pinterest’s terms of service? I’d be interested in hearing from you.

I’ve shared my Pinterest boards before but here they are again.

Libguides, Pinterest and other online stuff

Well, I have to write a post mainly because the vibrating gif is driving me crazy and I feel the need to push it down. What’s happening that I don’t use the blog to reflect any more? Perhaps this is not my reflective phase. Yes, that’s it. I’ve been quite satisfied creating resources and getting to know staff members at my relatively new school. And I have to admit to an obsession – pictures! I can’t stop looking at and saving gorgeous pictures from Flickr and other parts of the web (my groaning Google Reader). Just this week I finally decided to give Pinterest a go. The account has been sitting there for a while – can’t remember exactly how long – and I suppose I’ve been frantically trying to keep up with other things, not least Scoop.it which has taken off in a big way. Also because so many Pinteresters are dominating the place with food and wedding photos. Lovely. But not for me at the moment thanks. Just to give it a go, I created a couple of boards and threw in my YA book trailers as well as some books covers. Yes, not bad, looks great and neatly organised at a glance without having to scroll down too much. Well, woah! Now I have too many boards and possibly Pinterest OCD. Please help me.

Libguides have still got me burning the candle at both ends. Some of my colleagues tell me a don’t have a life. Hmm… (I have a life *she says weakly*) Some of you may understand the obsessive finding/saving/sharing/creating cycle and I blame my PLN for giving me so much of the good stuff. I love my job (have I said that before?) I love finding the good stuff for teachers and students. It’s  like being a conjurer – pulling wonderful and unexpected things from a hat. Reader, if you’re a teacher librarian, please support me here. Don’t you feel the same way?

So, to finish off the post (so that I can keep playing with pictures – it’s a bit like swap cards from my youth), I will share the things I’ve been doing. Some of these you already know but, hang on, I’ve been adding…

Pinterest first:

Book trailers board 

Art Inspiration board (from my Art Does Matter blog)

There are more but I’ve only just started them. The illuminated manuscripts have got me salivating and I will be continuing my obsession until I have a full board.

LibGuides:

Even though it’s called Competition Writing, this resource supports any kind of writing and so is useful to students and teachers of English.

I am responsible for the weekly weblink of interest for the school newsletter, and this week I shared the link to my Digital Citizenship pages (4) into which I added two excellent articles by well-known and respected Australian educators, Chris Betcher (Have you googled yourself lately?) and Jenny Luca (5 reasons why our students are writing blogs and creating e-portfolios). These are under ‘Your digital footprint’ tab which is my favourite section of the resource because it explains the importance of helping students create a positive and responsible digital identity. Don’t go on about the dangers of the internet without balancing this out with a clear and positive direction for digital citizenship. Teachers are still telling me they prefer the things of their time to what kids are using today. Not even kids, what about businesses. Mobile technologies and social media have been taken up by businesses but sadly schools are still pulling back. And I say, that’s all very well but it’s not about you. It’s not about me either, it’s about preparing our students for their future.

I’ve also added things to the Debating LibGuide. This is good for persuasive writing and orals. Take a look.

Of course it’s not secret that I have a particular interest in visual arts. Here’s the link to these guides and don’t forget to look for drop-down arrows.

The French language guides have been growing too.

At the moment we are all taking the wider reading classes for the year 9s. I developed a couple of guides for this. My aim is to help students find different ways of finding what to read by using libraries and social media such as Good Reads – to mention a couple. I threw a whole bunch of book trailers into this page; I hope you find it useful. Please let me know what’s missing.

Well, it’s getting late so I won’t go on. For a change.

We live in a visual world

I’m hooked on pictures, as some of you may know. And since I haven’t shared for a while, I thought I’d throw in a few examples of the visual delights I’ve been discovering. Some of these go into my art blog for student inspiration and others are just chucked into Diigo.

I fell in love with this animation a little while ago.

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So much to love in this animation – the soft, translucent colours, the textures, the attention to detail and sense of wonder.

And how amazing is this paper art by Alexander Korzer-Robinson whose art focuses on the notion of the ‘inner landscape’.

The cut book art has been made by working through the books, page by page, cutting around some of the illustrations while removing others. The images seen in the finished work, are left standing in the place where they would appear in the complete book.

There’s something about Sea Hyun Lee’s red landscapes that I can’t define. That’s why you should read this analysis here.

Corinne Vionnet is the creator of a series of photographic works entitled “Photo Opportunities”, from hundreds of snapshots of tourist locations found on the Internet. By collecting and then bringing together successive layers of around a hundred similar “photo souvenirs”, these images conjure up questions about representation and memory of places.

I love the ethereal impression created by these dreamy versions of  cliched tourist landscapes.

Matatoro is directed by Mauro Carraro, Raphaël Calamote, and Jérémy Pasquet.  Motionographer has a fascinating post with an interview with the film makers on the process of the making of the film.

Watch the film on Vimeo. You will not regret it; it’s brilliant.

You can see the rest of the pictures in mapolito’s Flickr photostream.

I hope you’ve enjoyed this post. If you have any art/illustration/animation/film blogs you would recommend, please share.

Pictures take me back to the story

Who doesn’t love illustrations? That’s a rhetorical question. I doubt that anybody would take offense to illustrations being interspersed amongst the text of a story.

The Guardian treats its readers to a taste of a new series of recently  illustrated children’s classics.

Walkers have put together some of the world’s greatest children’s literature with the best contemporary illustrators to create a beautiful and accessible collection of classics for a new generation. Here we gather together images from the first five titles in the Walker Illustrated Classics series.

Even if you’ve read these classics, the illustrations may entice you to have another look. For me, the fresh visual interpretation is even more enticing considering how well worn these stories are.  I’m curious as to how an illustator can create a new perspective when so many have done the same and so successfully. And of course, who can resist discovering the work of ‘the best contemporary illustrators’? The Guardian gives us a taste of the first 5 titles in the series accompanied by the illustrators’ reflections – a sure hook to wanting to see the rest.

Paul Howard illustrated Classic poetry and reveals his initial apprehension:

The idea of illustrating classic poetry terrified me at first – I can’t remember jokes let alone poems from my school days and consequently think of myself as a ‘poetus ignoramus’. To my great surprise this worked in my favour and I found myself embarking on a fantastic voyage of discovery.

Howard’s personal challenge to tackle poetry could be an inspiration for the current reading generation for whom poetry has become largely engimatic.

When I was battling to understand some of the poems, Michael Rosen would read them to me aloud. Listening to him was like clearing a misty window and letting the sun pour in.

Helen Oxenbury’s unmistakable style brings a contemporary realism to Alice in Wonderland.

I admire Tenniel’s original illustrations enormously, but I find his typically Victorian style rather stiff …

Inga Moore’s reflection provides a fascinating honesty:

The Secret Garden is one of the greatest books for children of all time and it took me a long while to pluck up the courage to illustrate it. What made me think I could do it justice? I knew a merely decorative approach wouldn’t do for a work with such depth of meaning so I decided to bring out as much of its meaning as I could in my pictures, carefully placing them next to the words they illustrated in the hope that the two together would make a more vivid whole …

I love the atmosphere of this picture, and the attention to detail (notice the tiny red bird high in the tree).

Nicola Bayley combines contemporary realism with the exotic in her interpretation of  Rudyard Kipling’s Jungle book.

For me, illustrating a classic is treading a fine line between authenticity and beauty.

Chris Riddell brings his own style to the classic Don Quixote:

Very early on I decided not to be daunted by the size of the book and to approach light-heartedly, in an attempt to reflect the satire and humour in the work. Don Quixote is a great big book that satires great big books, an epic romance that pokes fun at epic romances. I looked at the paintings of Velázquez, and used costumes and settings from his great Royal portraits to give the illustrations a 17th-century feel, but I also wanted a fantasy feel to the illustrations, so the giants and monsters came out of my imagination …

In light of Anne Fine’s recent outspokenness about the grimness of contemporary Young Adult fiction, Walker’s collection of contemporary illustators’ re-envisioning of well loved classics, may be just what we need. As much as I love the honesty and power of modern fiction for young people, I don’t mind revisiting my old fantasy haunts, entering the rich, illustrated world which has always been such a tantalising, albeit temporary, escape from the everyday. If, as children, we fed our imagination and creativity with favourite illustations of fantastic tales,  why shouldn’t we revisit now and then to take nourishment?

Eric Gjerde – Origami tessellations

Still continuously amazed at what I find on Flickr. I used to think it was where people shared photos of their family, sunsets and the such, but I realise that its potential is far greater. It’s such a rich store of images, ideas, creativity.

Today I’m not feeling well, and so I’ve been living on the couch. No concentration for reading so I thought I’d browse flickr images.

Every discovery is like Christmas. Eric Gjarde is my discovery for today. On his Flickr profile, Eric describes himself as a geek.

I’m a massive geek. As with most geeks, I’m fascinated by all things technological; it’s what I do for a living, as well as a hobby (and obsession?)

What I really respect Eric for (apart from his awesome folding skills) is his willingness to share his knowledge and creativity about his specialty.

So while I enjoy folding all kinds of things, I’ve just been posting items which I have created myself. all of the items I post to flickr are independently created/invented/dreamed up by me, unless otherwise stated.

It’s a big deal for me, as I really dislike the lack of information sharing in the origami world- I want to bring some of the open-source style sharing to them, preferably via the Creative Commons licensing ideals. I’ve made some headway on that front by releasing diagrams and crease patterns under a CC license, available on my website – it’s located at www.origamitessellations.com.

Looking through Eric’s Flickr profile, I found the Flickr groups he has joined. Always good to see what else people are following.

Take a look at what Eric does when he’s not folding paper – it’s a mosaic film.

His origami sets are extensive and brilliant.

Browsing through Eric’s other, non-origami, sets, I came across his mosaic set. If you have a look, you’ll be impressed with his mosaic tile photos. One of the best things about flickr is the possibility for conversation. And so, following this mosaic set, Eric answers questions about how he was able to make the mosaics, and offers links to further information. Fantastic.

Still discovering, and this time Eric’s comments led me to The digital library for the decorative arts and material culture. Anyone interested in the history of design and ornament for different cultures will love this.

Who said Flickr was just a bunch of pictures? I’m going to try and showcase Flickr and its educational uses at school.

Life photo archive of Christmas

At the risk of appearing obsessive, I’m also adding the LIFE photo archive of Christmas images hosted by Google.

A picture’s worth a thousand words

I found ‘A picture’s worth’ on the Learning technology teacher development blog. it’s a wonderful collective version of people’s stories behind their own photos – even more interesting as a kaleidoscopic collection. Starting as a personal project, ‘A picture’s worth’ has developed into a pictorial record of varied experiences and reflections. Submissions of photos and text between 300 and 1000 words are moderated, and copyright for photos and essay remains with the author.

Some authors will include website links, and a map showing where the photo adds to the authenticity of the story. I like this idea for the classroom. Rather than write the usual story about a personal photo, students can showcase to a peer audience, and the shared stories could trigger ideas. It’s always interesting to see what subject matter is chosen and for what reason. Here’s an example of someone who loves photographing little forgotten theatres. Some of these stories are more intimate than others. Here’s an intimate, emotional one about a family coping with a dying grandmother. Here’s a confronting, brave one about abuse called ‘Bruised twice’.

The picture inserted in this post is of my church in Brunswick, Melbourne, on Merri Creek, although it could well be in Russia. This church building houses many stories, from its inception which remained a dream for many decades, including the efforts of many people, some of whom never saw the completed project, to the present day. And it will be connected to many different families and individuals in years to come.

The picture below is the inside of the church looking up at the cupol.