Art is not just pretty pictures: The deep process of artistic creation

My topic today is Art as a subject in schools. I wonder if we sometimes underestimate or misunderstand the role of Art in a student’s learning. It’s so much more than making pretty pictures. Art personifies learning through a transparent process of deep exploration and problem solving – with an end product to show for it. Just as with literature, the end product can be unpacked to reveal the influences which were part of the creative process. Fortunately this is not a purely scientific process but one which invites the exploration and interpretation of the viewer. Art is a model for problem solving in other areas of learning. We should hold onto Art, and not be fooled into thinking that it is less valuable than subjects which are associated with occupational success. We need Art.

I visited a year 9 class today to see the students happily working on large representations of themselves based on their exploration of the unit ‘Home and Place’. My part in this project was the collaboration with Mihaela Brysha, Head of Art, in resourcing the project  in our library website (Libguides). I’m including the project brief:

This unit explores ideas about belonging and is designed to question our relationship and interaction with:

• Others
• Pop culture
• Consumerism
• Cultural beliefs,
• Personal histories
• The natural world

The aim of the exploration is to make and visually interpret personal statements about what home and place means to you and how it shapes personal and cultural identity.

Australian artists Patricia Piccinini, Fiona Hall, Gordon Bennett, and Howard Arkley address some of these ideas from very different perspectives, influences, art forms, aesthetics, materials and techniques. The study of their ideas and studio art practice as well as interpretation and analysis of their artwork aims to provide stimuli for the exploration of ideas, content and techniques for practical explorations.

The online resources were a starting point for further research into these artists:

Fiona Hall; Gordon Bennett; Howard Arkley; Patricia Piccinini

The art of Gordon Bennett strikes a chord with many of our students whose families come from different countries. Bennett’s art depicts the cultural tension between his ties to his Indigenous roots and his association with Western culture.

I loved the size of these art works, their bold colours and strokes, delicate details, diverse imagery and visual storytelling. I loved the energy and focused activity in the classroom, the productive interaction between students and teacher. I took photos.

 

I’m looking forward to the hanging of these in the art show. Well done, boys, and well done, Mihaela.

Year 9 Art project on paper, iPad and Pinterest

                              

Our year 9s have been working through a project in art which combines the best in hands-on activity, iPad technology and social media. Mihaela designed a project in which students worked through a process starting with research of patterns from different cultural backgrounds and culminating in the students designing their own patterns using the iPad app, iOrnament, and creating an oversized paper plane decorated with their pattern designs.

The research process encouraged students to dip into a rich and diverse cultural store of patterns before deciding on the designs of their own, and including some of the elements of water, fire, earth, air and wood. They were to select one or more of these elements to fuse with the theme of rejuvenation of the spirit and sense of self.

I relish my partnership with Mihaela, Head of Art at Melbourne High School. Every teacher librarian appreciates the teacher who is happy to collaborate, and in my case the partnership is built on respect, reciprocal interests, love of creativity and experimentation,  a desire for excellence, and determination to create a challenging process leading to a synthesis of understanding and original design. After we chatted, I was clear about what Mihaela wanted for the students and how I could support the project. I created libguides with visual examples and links to further resources to get the students started and hopefully inspired.

My research into examples of patterns within a broad range of cultural contexts was a joyful task for me. Pinterest is a rich online resource which allows the discovery and collection of an enormous number of high quality visual examples. I searched The Grammar of Ornament on Pinterest and was overjoyed with the results.  I referred the students to the Symbol Dictionary online for a bit of research on symbolic background. Delving into the how and why is always fascinating, and often informs the direction of research.

I didn’t want to overwhelm the students so I limited my pattern examples to some of the main cultural sources, but also linked to Pinterest boards I was creating along the way. If the students chose to, they could continue to browse collections of general patterns, and also African, Australian Indigenous, Chinese, Indian, Islamic, Japanese, Maori, Mexican, Moroccan, Russian and Turkish.  One of the advantages of using Pinterest is that you can continue to add visual examples to the collection without changing the link, so students will be able to view a continuously edited collection with one url. Students can also search within Pinterest itself. Design of online resources presents the challenge of depth without overwhelming the user, and a reasonable number of external links for further research.

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The students were also introduced to four artists for whom patterns were an intrinsic part of their art works. I created Pinterest boards for Shirin Neshat, Ah Xian, Ginger Riley Munduwalawala and Sangeeta Sandrasegar.

     

Patterns from Tania Sheko

It’s a shame that the quality of the images in the following slideshow is not fantastic. I’ve included some general art study, such as colour theory, amongst the Pattern mix. Although you can’t read some of the text, you get an idea of the type of process journalling they have done.

Patterns journals from Tania Sheko

The best part of this project, as far as I’m concerned, is the richness of the process. This is what I love about art – it is an example of the kind of process which should be embedded in all subjects. I was intent on documenting this patterns project in a blog post because it makes transparent what is most valuable about learning – the process of research (wondering, browsing, getting lost, refining search), working and re-working ideas and techniques, synthesizing found and created concepts and ideas, evaluating and reflecting and much more. Wouldn’t it be a smart world that required all students to study Art?

Fingerpainting is back as iArt

I was very excited to find artists using iPad apps to draw, or ‘fingerpaint’, wonderful art. In some cases these projects are collaborative – that aspect always excites me. There are people who are sceptical about technology, in terms of the quality of things produced by apps – and I have to say I was one of those who thought of art apps more in terms of sketching ideas rather than creating a serious art work – or those who rate new technologies for doing the same things they already do only online. I’ve had many conversations with these people, and I feel that there is only one way to change their minds (bearing in mind that you can’t change a closed mind, but you can certainly try to surprise their minds open) is to find amazing examples of technology-enabled projects.

Yesterday I stumbled across (don’t ask me to trace that thread back to its source) fingerpainters – artists who use the iPad and even iPhone or iPod Touch to create art with drawing/painting apps. I have these apps on my iPad and I’ve shown them to art teachers, but without an inspirational example, those apps just sit there in their folders doing not much. Of course, when you find an artist through your Google Reader of from Twitter lists, you know the discovery will lead to many more discoveries, and so I want to share some of these artists and works, their blogs and where they also live on Twitter and Flickr.

I started by discovering the artist Benjamin Rabe and his Flickr sets, including this one of finger paintings he did on his iphone or ipad. A painting on his phone!

Of course, when you discover an artist who has an online presence, they lead you to many more artists. This is how I came across the amazing Cedric Phillipe’s Flickr photostream and his fingerpaintings on his iPad and his iPod Touch. How on earth somebody manages to create an artwork on such a small screen, I’ll never know.

This one is done on his iPod Touch mainly using the app Brushes

This one is done on his iPad mainly using the app Brushes

Cedric has a wonderful Tumblr blog which you must see. This is where I found his stop-motion animation. What a treat!

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An impressive little set that Cedric built for his animation. Have a look at photos here.

The Helen Keller quote at the bottom of the Woven Narratives webpage nicely summarises what I consider the most exciting about emerging technologies – the collaborative aspect. “Alone we can do so little; together we can do so much.” – Helen Keller. Woven Narratives are the collective works of artists’ collaborations using mainly iPad apps to create their art works.

Most of the works presented here were created and shared using only the iPad as a drawing and painting tool. Recent pieces have developed in three dimensions as small ‘soft sculptures’and the latest round of work has seen the development of a series of paintings on cardboard, which have been shared by post. Each of the works has travelled an average of 40,000 miles during its creation, bouncing back and forth via email or through the international postal system as its individual narrative unfolds.

Particularly interesting is the value-added aspect of this technology-enabled project:

The collaborations have helped both of us develop and extend our image making practice and have pushed our personal work into new and interesting directions. The narratives which develop throughout the process of making the works are playful, intriguing and entertaining. Many of them are hidden by the process of making, whilst others peek through to reveal themselves in colourful and often humorous ways. The result is an ongoing dialogue of signs, symbols, image-making and colour, a series of ‘Woven Narratives’, which engage the viewer in a ‘mesh’ of images and marks which share collective stories and experiences.

I can relate to the idea of process, and particularly collaborative process, resulting in new and exciting learning. Surely the experimental nature of emerging technologies is leading to new ideas and possibilities. If we allow for time to play…

In any case, have a closer look at Woven Narratives and the artists responsible. One of the artists, Jonathan Grauel, has discovered new possibilities for art making with mobile devices since an accident with a table saw left him without an index finger on his dominate hand and limited sensitivity in his thumb. When his wife and friends surprised him with an iPhone, he discovered a new joy in “finger painting.”

A blessing for art students and teachers is when artists share their art work, ideas and techniques. The blog Fingerpainted shares apps used to create art works which you can see for yourself. The About page shares the evolution of the blog. Here’s a link to the posts tagged with ‘apps’ – very useful and full of examples.

UK artist, Fabric Lenny, and US artist, Jonathan Grauel, have teamed up to produce a body of work in iPad despite the distance between them. Sketchshare is a series of 154 images which were painted simultaneously in the iPads.

You can view all these pictures done in real time in their Flickr stream.

Finally, here’s a video game fingerpainted entirely on the iPad. The music was also composed on the iPad.

I hope this post will inspire some art students and teachers. I’ll add an iPad/iPhone apps page in my online art resources very soon.

We live in a visual world

I’m hooked on pictures, as some of you may know. And since I haven’t shared for a while, I thought I’d throw in a few examples of the visual delights I’ve been discovering. Some of these go into my art blog for student inspiration and others are just chucked into Diigo.

I fell in love with this animation a little while ago.

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So much to love in this animation – the soft, translucent colours, the textures, the attention to detail and sense of wonder.

And how amazing is this paper art by Alexander Korzer-Robinson whose art focuses on the notion of the ‘inner landscape’.

The cut book art has been made by working through the books, page by page, cutting around some of the illustrations while removing others. The images seen in the finished work, are left standing in the place where they would appear in the complete book.

There’s something about Sea Hyun Lee’s red landscapes that I can’t define. That’s why you should read this analysis here.

Corinne Vionnet is the creator of a series of photographic works entitled “Photo Opportunities”, from hundreds of snapshots of tourist locations found on the Internet. By collecting and then bringing together successive layers of around a hundred similar “photo souvenirs”, these images conjure up questions about representation and memory of places.

I love the ethereal impression created by these dreamy versions of  cliched tourist landscapes.

Matatoro is directed by Mauro Carraro, Raphaël Calamote, and Jérémy Pasquet.  Motionographer has a fascinating post with an interview with the film makers on the process of the making of the film.

Watch the film on Vimeo. You will not regret it; it’s brilliant.

You can see the rest of the pictures in mapolito’s Flickr photostream.

I hope you’ve enjoyed this post. If you have any art/illustration/animation/film blogs you would recommend, please share.

New: Google Art Project

Google has developed a new project – The Google Art Project.

Explore museums from around the world, discover and view hundreds of artworks at incredible zoom levels, and even create and share your own collection of masterpieces.

Here’s a video showing you how to use the site:

You can create your own art collection, add notes to  join a discussion about art, save closeups, share collections with people across networks, take a trip to different museums, and more.

Take a look at some of the art museums involved in this project

Google approached the museum partners without any curatorial direction, and each museum was able to chose the number of galleries, artwork and information they wanted to include, based on reasons specific to them. All content in the information panel pertaining to individual artworks was also provided by the museums.

At this stage, these are the museums involved:

• Alte Nationalgalerie, Berlin – Germany
• Freer Gallery of Art, Smithsonian, Washington DC – USA
• The Frick Collection, NYC – USA
• Gemäldegalerie, Berlin – Germany
• The Metropolitan Museum of Art, NYC – USA
• MoMA, The Museum of Modern Art, NYC – USA
• Museo Reina Sofia, Madrid – Spain
• Museo Thyssen – Bornemisza, Madrid – Spain
• Museum Kampa, Prague – Czech Republic
• National Gallery, London – UK
• Palace of Versailles – France
• Rijksmuseum, Amsterdam – The Netherlands
• The State Hermitage Museum, St Petersburg – Russia
• State Tretyakov Gallery, Moscow – Russia
• Tate Britain, London – UK
• Uffizi Gallery, Florence – Italy
• Van Gogh Museum, Amsterdam – The Netherlands

I’m sure this list will grow. What an exciting project. I’m looking forward to browsing the art and also to what will develop here in the future.

 

Art still matters

Your golden hair, Margarete by Anselm Kiefer. Title derived from Death Fugue by Romanian Jewish poet and WWII survivor Paul Celan. Read more here.

The school year is starting again and so I thought I should air out some of my blogs and other resources because they’ve been put away in the top cupboard during the long break.

Remember the art blog? Art does matter.  Remember how, towards the end of last year, I revised the look of the blog so that it came out all svelte and user-friendly?

Well, don’t think it’s been sitting there idly, it’s been hatching lots of new art to stun you. Students, teachers and art lovers, get ready to be inspired by the diverse talent which is about to unfold before your eyes. I snuck in three examples during January (couldn’t help myself), one of which you see above, and then two animations.

This one would be great for a discussion about issues such as beauty, bullying, female exclusivity, perhaps.

Some of you will know that I’m a fan of Russian animation, so here’s a claymation example by Serge Merinov.

So bookmark this blog if you have any interest in art. I’ll do all the work and present you with visual delights throughout the year. What do you say?

PS  The wiki is a good accompaniment but you have to take time to browse.

Art is…

My sister has worked for 3 years on a body of work – almost every Saturday afternoon and one day a week – which is currently being exhibited at fortyfivedownstairs.

I admire my sister’s talent, dedication and intelligence as an artist. She has what I have described in my previous post a positive obsession, an obsession which tunnels through to a truth which is unique to her vision. I happen to think that what is created from this kind of obsession is worth contemplating.

I am not in any way educated in art, and so my response and interpretation of any work of art remains personal, even ridiculous perhaps. Still, I’d like to attempt to express in words my uneducated understanding of her pieces.

Here is the gallery’s biography and description for Lena Torikov:

The works in Subtractions explore the possibility of tension and space within a three dimensional surface; although Torikov is trained as a painter, her current work replaces traditional subject matter and colour with an abstract composition of white shapes. Foamcore has replaced linen and brushes have been exchanged for a sharp knife.

Subtractions are works experimenting with surfaces to build city-like constructions and slices of landscapes based on memory and the impact the immediate environment has on us.

One thing I know about Lena’s work is that it evolves from a tireless, disciplined and critical process. Her focus is far from superficial and never flighty. This is the obsessive aspect; she will not grab at any idea until she has worked through relentlessly to what she sees as completion and only then will she move on. I admire this ability to maintain focus because I shift with the wind and run after anything that moves.

It’s interesting but not unusual that Lena has evolved from paint, colour, representative art to some degree, to 3-dimensional work, in this case all white, concentrating on form and space. I’m not sure what she would say about my understanding of her work because she has been relunctant to talk about what her art means or what it’s trying to do, at least to me. The only thing I remember her saying is that she likes to focus on the space between the forms. I’m not sure if I’ve understood this correctly but, to me, she seems to be paring down representational image (isn’t any image a representation of some sort?) to a purer form. Without the distraction of colour variation, dependence on the replication of identified forms, her art is playing with the mathematics of form, spaces and the relationship between these.

What happens when you add this shape, this line? And what if it’s smaller, larger? Why don’t we extend these forms out into space and take the equation even further? Further still when we observe the changing light transform the work; the shadows cast on the wall around the work, shorter or longer, first this way, then that. Follow the movement created within the frame of the piece, enjoy the contrast between empty space and overcrowdedness.

Conceptual work is how I interpret this art. A thinking person drilling down to deeper truths. Not always entirely serious, Lena throws light-hearted allusions into the mix – maybe because the tension is too much even for her, but probably for an entirely different reason.

In the case of one of her works in this exhibition, there is an obvious reference to the Sydney Harbour – yes, the works are quite ‘architectural’ – but then our perception of this is shaken up again. The whole thing is turned around so that, if we insist on viewing the recognisable landmark, we have to turn our head sideways and bend down at a 90 degree angle. We are forced to adapt to a changed view, or be very uncomfortable if we insist on seeing it in a familiar way.

For me – and I love good representational art – Lena’s mental activity within the abstract genre produces an image which I don’t easily tire of. So much art is instantly attractive but quickly become boring. These pieces are like puzzles – not to be solved but offering new ideas. Not disturbing in a way you would expect disturbing to be, but unsettling in a challenging way.

And I hope she won’t find it offensive if I say that she still produces beautiful lines, pleasing shapes, perfect relationships in between. I’m not sure if it’s beauty she is aiming to produce, but the works are very beautiful.

There is variety in the selection of pieces exhibited – in size and complexity – and the viewer is treated to just the right amount of it.  As a whole, the selection fits together into a larger puzzle.

Unlike James Yuncken’s lovely paintings of his trip to Cape York, a pictorial journey capturing the feel of the landscape and tones of the land and sky, Lena’s art is a carefully orchestrated collection of symbols. James’ selection could easily be extended with more pictures, like photos, of his trip. Lena’s collection can hold no more; she has said all she has to say.

I wonder what kind of person would appreciate this conceptual art. It’s definitely not the kind of art which warms the heart because it reminds you of a place you’ve been; it’s more like the kind of art that takes you where you might not have been, or haven’t stayed so as to pause and reflect.

Photos by Alexander Sheko.

New tools for traditional skills

I found this video in a blog post on Art in the real world.

An Apple ipad live fingerpainting demo that David Kassan streamed live from my Brooklyn studio on Monday June 21st. 2010, The model sat for 3 hours as David painted and answered questions on how I use the iPad and the Brushes app.

This is an amazing example of how the latest technology can still be used in a traditional way, so to speak. I love the sped-up version at the end which makes transparent the pattern of layering in the creation of the portrait.

How does my Art wiki grow

My art wiki is growing fat in places. I thought I’d point to the areas which have expanded the most in the hope of reaching Visual Arts teachers and students.

The blogs page in Blogs and Nings has really expanded. Blogs are my favourite way of finding art resources since they often represent specialised interest areas. It’s a very personal and rich way of discovering art. Blogs are  a labour of love, expressing the unique personality of the author. I can’t think of a more inspiring way to learn.

Here are some examples:

Roberto Bernardi, La Tavolozza , 2010, oil on canvas, 22 x 30″

100 best art blogs Massive list here divided into useful sections (you might have to give up your day job for this)
Art Studio Secrets Some very practical video demonstrations (under ‘Demonstrations’)
Art in the real world “In The Real Art World” alerts you to the best exhibitions of representational “realism” which are on at the moment anywhere in the world.
Sketchcrawl A communal blog for compulsive sketchers
Ephemera assemblyman A beautiful blog of many different examples of art, illustration, design and more.
Urban sketchers This blog features sketches and often equally colorful stories behind the scenes by invited artists correspondents in more than 30 countries around the world. Some are architects and illustrators, others are graphic designers, web developers, painters or educators, all sharing the same passion for drawing on location.
Samuel Michlap Concept artist, illustrator, fine artist and more.
Painting perceptions Perceptual painting is painting life from a personal vision and experience not just recording appearance. As Cézanne said, “Painting is nature seen through a temperament.”
Lines and colors Lines and Colors is a blog about drawing, sketching, painting, comics, cartoons, webcomics, illustration, digital art, concept art, gallery art, artist tools and techniques, motion graphics, animation, sci-fi and fantasy illustration, paleo art, storyboards, matte painting, 3d graphics and anything else I find visually interesting.
Paper forest showcasing great paper stuff, 2D, 3D and animation.

The Image/Flickr page is bursting with links to wonderful sharing people on Flickr – a cornucopia of imagery to inspire students looking for ideas in different media and styles.

Here’s a small sample:

by Irina Troitskaya on Flickr

Guggenheim Museum’s flickr sets
Flickr photostream by laura@popdesign Laura writes the Animalarium blog.
Flickr origami set2by Eric Gjerde
Flickr origami setby Eric Gjerde
All Eric’s origami and tessellation sets are here.See Eric Gjerde’s website Origami tessellations
Art21’s flickr photostream
Bibimorvarid’s Art&Design set
Bibimorvarid’s photostream
Papercraft and mail art– by Corduroy Cat
Altered playing cards by Corduroy Cat.
Atcs and inchies by Corduroy Cat.
Corduroy Cat’s contacts and groups on Flickr (lots of stuff to explore here)

The Images/Design page is another rich resource; here are only some of the links:

Ernst Haeckel, Kunstformen der Nature

Blickfang – the eye-catching covers of Weimar Berlin.
Thirty book covers from Poland (from A Journey From My Skull)
Kunstformen der Natur (art forms of nature) by Ernst Haeckel (flickr set saved by Eric Gjerde)
The Grammar of Ornament by Owen Jones. Eric Gjerde has scanned this book and shared it on Flickr.
Styles of Ornament by Alexander Speltz. Tessellation related photo plates from Alexander Speltz’s 1906 book, “Styles of Ornament”. Eric Gjerde has scanned this book and shared it on Flickr.
Digital library for the decorative arts and material culture
Great style illustrations by Iv Orlov
Typographic art
Design Online: Design Online is an electronic library from the University of the Arts, London, containing a digitised record of Design magazine for the years 1965 to 1974. There are around 100 pages in each magazine, which are available as full screen size black-and-white or colour images.

Erwin Poell

There’s so much animation out there,   I love collecting examples. Amazing creativity to be discovered in this section, and fun to watch.

Phosphoro – is an award-winning student 2D animation (Read about it here. )

Of course, the wiki contains much, much more than this.  Some sections are more comprehensive than others, but you can be sure that I’m always on the lookout for new resources to support the teaching and learning of Art-related studies.

Why don’t you have a look for yourself?

Edit or post now?

Chris Beesley is a graphic designer/illustrator living in Fairfield, Conneticut. His post, Seeking balance in a self-imposed spotlight,  raises a question relevant to bloggers, although he writes specifically as a graphic designer.

Here’s my big question; do I post more raw materials that haven’t been fully vetted yet, accepting that some may be real garbage and I may get judged as such? Or do I hold back most of the untried pieces until I’ve had an opportunity to really think about them, accepting the fact that some of the good stuff may never see daylight?

Chris posted this photograph to make a point about the rubbish he’d picked up around his neighbourhood while on a walk.

Looking back I’m glad I posted it, and I still believe that the poster was a good idea but there are definitely some things I might have changed had I waited.

Obviously, Chris is talking about his reputation based on the quality of his work, but his questions reminded me of the dilemma facing bloggers in general – with so much flying in from social media, do you go with your desire to get something out there while it’s current, and while your ideas are fresh, or do you wait until you’ve carefully edited your post?

Are blog readers more forgiving, not expecting the same quality of writing and thinking as they would from newspapers, magazines and journals?

It’s obvious that my posts would fail if assessed as coherent, well planned and properly researched writing, but aren’t blogs intrinsically more informal?

I really like Chris’ photo – mainly for its concept; it’s clever. I like the fact that he threw it together on the spot following his idea. There’s something to be said for this kind of spontaneous post.

Don’t you think?